Curriculum Vitae

KENNETH TIN-KIN HUNG 洪天健

San Francisco, CA

Kenneth (at) TinKin.com

www.TINKIN.com

Education
B. A. in Art degree from San Francisco State University

Solo Exhibitions
2017    “In G.O.D. We Trust”, Postmasters Art Gallery, New York, U.S.A.
2012    “Excito Excito: A Veritable Feast”, The Samek Art Gallery, Bucknell University, Pennsylvania, U.S.A.
2012    “The Travelogue of Dr. Brain Damages”, Downtown Art Gallery, Bucknell University, Pennsylvania, U.S.A.
2011    “The Travelogue of Dr. Brain Damages”, Postmasters Art Gallery, New York, U.S.A.
2009    “In G.O.D. We Trust”, Postmasters Art Gallery, New York, U.S.A.
2009    “In G.O.D. We Trust”, Galerie Guy Bärtschi, Geneva, Switzerland.
2008    “Gas Zappers”, Berkeley Art Museum, Berkeley, U.S.A.
2008    “Residential Erection”, Postmasters Art Gallery, New York, U.S.A.
2005    “Global Presidential Election”, Straight Out of Brisbane Festival, Brisbane, Australia
2003    “Well Hung”, Cartwright Hall Art Gallery, Bradford, United Kingdom
2001    “Badminton”, Southern Exposure Gallery, San Francisco, USA

Selected Commissioned Projects
2007    “Gas Zappers”, commissioned by Tribeca Film Institute/ Renew Media
2004    “BradfordRivers.net”, commissioned by artExchanges, Bradford Museums, Galleries and Heritage, Bradford, United Kingdom (curated by Vicky Mitchell)
2004    Cover illustration for Rem Koolhaas / OMA’s book “Content”

Selected Group Exhibitions, Screenings and Performances

2018     “in(di)visible”, Station Museum of Contemporary Art, Houston, U.S.A. (curated by Alex Tu and Sophie Asakura)
2017      “Punching Up”, Richard & Dolly Maass Gallery, Purchase State College, New York, U.S.A. (curated by Janine Polak)
2016      “Political Sideshow 2016: From ‘Bitch’ to (Big) ‘Nuts’ and Beyond”, Schmidt Center Gallery Public Space, Florida Atlantic University, Florida, U.S.A. (curated by Jane Caputi and AdrienneRose Gionta)
2016     “Cut with the Kitchen Knife through the Raw Future of 100 Years Before”, SPAȚIU INTACT, Cluj, Romania. (curated by Simona Nastac)
2015     “Corpocracy”, Station Museum of Contemporary Art, Houston, U.S.A. (curated by James Harithas, Alan Schnitger, Alex Tu and Joshua Poole)
2015     “GLOBALE: Global Control and Censorship”, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany (curated by Bernhard Serexhe, co-curated by Lívia Rózsás)
2015     “Das Netz”, Stiftung Deutsches Technikmuseum Berlin, Berlin, Germany (curated by Catharina Koller)
2013     “Occuprint”, ar/ge kunst Galerie Museum / Galleria Museo, Bolzano, Italy (curated by Luigi Fassi and Verena Rastner)
2013    “Ladies and Gentlemen We are Floating in Space”, Young Projects Gallery, Los Angeles, U.S.A. (curated by Paul Young)
2012    “Open::Closed”, 601 ArtSpace, New York, U.S.A. (curated by David Howe)
2012    “Just What is it About the End of the World that Makes it so Appealing?”, V-Art Center, Shanghai, China (curated by Mathieu Borysevicz)
2012    “AIVA, Ängelholm International Video Art Festival”, Ängelholm, Sweden (curated by Paul Young)
2011    “Young Artists Project 2011: Future Lab”, Daegu EXCO, Daegu, Korea (curated by Hye Kyung Hennah Shin)
2011    “Moving Image”, Bargehouse Oxo Tower Wharf, London, U.K. (curated by Magda Sawon)
2011    “Epson Video Lounge”, Art Platform Los Angeles, Los Angeles, U.S.A. (curated by Paul Young)
2011    “How to Philosophize with a Hammer”, White Box Gallery, New York, U.S.A. (curated by Raúl Zamudio)
2011    “Glutton For Punishment”, Ramis Barquet Gallery, New York, U.S.A. (curated by Nicholas Kilner)
2011    “Where is Ai WeiWei- Human Rights Watch benefit”, White Box Gallery, New York, U.S.A.
2011    “Love The Future”, Art East Island, Hong Kong, China (curated by Kacey Wong /Art Citizens)
2011    “Cabaret”, Ramis Barquet Gallery, New York, U.S.A. (curated by Matthew Weinstein)
2011    “The Way We Are Now: Selections from the 21c Collection”, Cincinnati Art Museum, Cincinnati, U.S.A.
2010    “The Future Is Not What Is Used To Be”, Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland
2010    “CINEMAROSA”, Queens Museum of Art, New York, U.S.A. (curated by Hector Canonge)
2010    “Right Where- The State of The Art”, IMO Projects/ Art Copenhagen, Copenhagen, Denmark (curated by Toke Lykkeberg)
2010    “This Modern World”, Art as Billboard public art project at Cool Dock, Shanghai, China
2010    “RE/Mixed Media Festival 2010”, Galapagos Art Space, New York, U.S.A.
2010    “New Works for the Collection”, Blanton Museum of Art, Austin, U.S.A.
2010    “20 ans déjà!”, Galerie Guy Bärtschi, Geneva, Switzerland.
2010    “The Pavilion of Realism”, Other Gallery, Shanghai and Beijing, China (curated by Raul Zamudio)
2009    “Flaherty NYC Experiments in Animation”, Anthology Film Archives, New York, United States
2009    “Sign of the Times”, Monique Meloche Gallery, Chicago, United States
2009    “State of The Art: New York“, Urbis, Manchester, United Kingdom
2009    “PLAY”, Vanessa Quang Gallery, Paris, France
2009    “ENTER ACTION Digital Art Now”, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
2009    “The Future Is Not What Is Used To Be”, Postmasters Art Gallery, New York, U.S.A.
2008    “All’s Fair in Art and War: Envisioning Conflict”, 21 C Museum, Louisville, Kentucky, U.S.A.
2008    Curtocircuito Short Film Festival, Santiago de Compostela, SPAIN
2008    Palazzo Strozzi, Florence, Italy
2008    “Party Headquarters“, Pratt Manhattan Gallery, Pratt Institute, Manhattan
2008    “Empire and Its Discontents“, Tufts University Art Gallery, Medford, MA
2008    “Democracy In America: The National Campaign”, Convergence Center at Park Avenue Armory, New York, U.S.A. (curated by Nato Thompson)
2008    “Political Circus“, Florida Atlantic University Art Gallery, Boca Raton, Florida
2008    Reykjavik Shorts & Docs Festival, Reykjavik, Iceland
2008    Dallas Video Festival, Dallas, Texas, U.S.A.
2008    OUTFEST Film Festival, Los Angeles, U.S.A.
2008    “Den Haag Sculptuur“, Hague, The Netherlands
2008    “Montage: Unmonumental Online”, New Museum, New York, U.S.A.
2008    Sundance Film Festival, Park City, U.S.A.
2007    8th Seoul International Film Festival, Seoul, Korea
2007    “Not Your Parent’s MTV”, Postmasters Art Gallery, New York, U.S.A.
2006    “Eat Me”, Frey Norris Gallery, San Francisco, U.S.A. (curated by Wendi Norris and Raman Frey)
2005    “AAF Contemporary Art Fair”, Pier 92, New York, U.S.A. (curated by Kurt Bigenho and Jeanna Yoo)
2005    “Photo New York”, Metropolitan Pavilion, New York, U.S.A. (curated by Kurt Bigenho and Jeanna Yoo)
2004    “T’s for me to wear and U 2 C tour”, Frisbee @ The Cavalier Hotel, Miami Beach, Miami, U.S.A. (curated by Jose-Carlos Diaz)
2004    “Oily Chef Salat”, Artemis Gallery, San Francisco, U.S.A. (curated by Melissa Panages)
2004    “Red, White and Who”, Lofty Thoughts (ARSPACE), San Francisco, U.S.A. (curated by Joegh Bullock)
2004    “Cultural Autopsy- Digital Disobedients”, IMPAKT Festival, Utrecht, The Netherlands (curated by Elisa Harkins and Arjon Dunnewind)
2004    “Multiverse 007- Global Presidential Election”, Multiverse at RX Gallery, San Francisco, U.S.A. (curated by Kurt Bigenho)
2004    “NACHT DER BILDER I” (with CHEAP/ Tim Blue), Hebbel Am Ufer theatre, Berlin, Germany
2004    “Paradiance After Glow”, Anon Salon, San Francisco, U.S.A. (organized by Mark Petrakis and Joegh)
2004    “APAture 2004”, Kearny Street Workshop at SOMARTS Cultural Center, San Francisco, U.S.A. (organized by Scott Louie)
2004    “Neighborhood Public Radio”, Southern Exposure Gallery, San Francisco, U.S.A. (curated by Lee Montgomery and Bob Boster)
2004    “MOVING TARGETS: The Art of Resistance”, University Art Gallery, California State University Chico, Chico, U.S.A. (curated by Chuck Mobley & Marnie Gillet)
2004    “Arcadacraba”, Worm Hole Laboratory at Rocket Projects Gallery, Miami, U.S.A. (curated by Jose Diaz)
2004    “The Fuck War art nsurgency”, Liminal Arts Gallery, Oakland, U.S.A. (curated by Philip Boyok)
2004    “NEW FANGLE”, Herbst International Exhibition Hall, hosted by GENART, San Francisco, U.S.A. (curated by René de Guzman, Catharine Clark, Beau Takahara)
2004    “CHEAP Klub” (with Tim Blue), Shedhalle, Zurich, Switzerland
2004    “REMIX 2004”, SOMARTS Cultural Center (with Kearny Street Workshop), San Francisco, U.S.A. (curated by René Yañez)
2004    “Version>04 International Arts Festival- Digital Resistance”, Chicago, U.S.A.
2004    “MOVING TARGETS: The Art of Resistance”, SF Camerawork, San Francisco, U.S.A.
2004    “International Film Festival Rotterdam”, Rotterdam, Netherlands
2003    “Select Media Festival 2 – Web Selection”, BUDDY, Chicago, U.S.A.
2003    “House Of Tomorrow: Homepage”, EXPERIMENTA / Centre for Contemporary Photography, Melbourne, Australia
2003    “The Summer Line”, New Langton Arts Gallery, San Francisco, U.S.A.
2003    “.PUN Sulla Censura E I Suoi Derivati”, Piccolo Network Contro La Guerra and Cox 18, Milan, Italy
2003    “NUMBERWONG- powertodacolor”, Ink Room (with INKORPORATION), Toulouse, France
2003    “Lumpen !2 Year The Cultural Interference Show”, Lumpen at Buddy, Chicago, U.S.A.
2003    “War and Silence”, SOMARTS Cultural Center (with Kearny Street Workshop), San Francisco, U.S.A.
2003    “Yellow And Blue Make Green”, Warehouse 1310, San Francisco, U.S.A.
2003    “Images Du Nouveau Monde”, 4th Edition Images Du Nouveau Monde, Québec City, Canada
2003    “ChiangMai First New Media Art Festival”, ChiangMai University Art Museum, ChiangMai, Thailand
2003    “Stuttgarter Filmwinter”, Stuttgarter Filmwinter Festival For Expanded Media, Stuttgart, Germany
2002    “Net Art In Exhibition”, Microwave International Media Art Festival (Videotage), Hong Kong
2002    “Virtual Art@ athica.org”, Athica- Athens Institute of Contemporary Art, Athens, Georgia, U.S.A.
2002    “Bay Area Now 3”, Yerba Buena Center for the Arts, San Francisco, U.S.A.
2002    “L.A. Freewaves”, 8th Biennial L.A. Freewaves Festival of experimental media arts, Los Angeles, USA
2002    “Canariasmediafest”, Festival Internacional de Video y Multimedia de Canarias, Gran Canaria, Spain
2002    “VIPER Basel 2002”, VIPER International Festival For Film Video And New Media, Basel, Switzerland
2002    “Cyberarts 2002”, Prix Ars Electronica 2002 (O.K. Center of Contemporary Art), Linz, Austria
2002    “softForm”, organized by Hive Projects, galleries include SOF Arthouse, Propeller Center for the Visual Arts, Deleon White Gallery, ZYPR Gallery, Sis Boom Bah and Luft Gallery, Toronto, Canada
2002    “So Exquisite”, Southern Exposure Gallery, San Francisco, U.S.A.
2001    “Senior Open House Exhibition”, San Francisco State University, San Francisco, U.S.A.
2001    “Art Sale V”, The Lab, San Francisco, U.S.A.
2001    “Local Comic Artists’ Development Exhibition”, City University of Hong Kong, Hong Kong
2001    “17 Emerging Bay Area Artists”, The Gordon Gallery, Yountville, U.S.A.
2001    “Comics-Making Exhibition”, Broadway Cinematheque, Hong Kong
2001    “Yummy Dragon”, Angouleme Comix Festival, Angouleme, France
2000    “Fuzzy Logic”, Southern Exposure Gallery, San Francisco, U.S.A.
2000    “Stillwell show”, San Francisco State University Art Gallery, San Francisco, U.S.A.
2000    “Instigating Banality”, Cesar Chavez Student Art Gallery, San Francisco, U.S.A.
2000    “Window of HK”, Fumetto Comix Festival, Luzern, Switzerland
2000    “Tails Of The City”, microsoftSF, Sony Metreon, San Francisco, U.S.A.
2000    “Unretouched”, Magnolia Editions, Oakland, U.S.A.
2000    “Stillwell show”, San Francisco State University Art Gallery, San Francisco, U.S.A.
2000    “A Thousand Drip”- A Multimedia performance by Kenneth Hung VS Roland Palmer, The Port light, Oakland, U.S.A.
2000    “Young Bay Area Artists”, The Gordon gallery, Yountville, USA

Awards and Honors
2007    Media Arts Fellowship, Tribeca Film Institute/ Renew Media, New York, U.S.A.
2002    VIPER International Award CD-ROM/ Internet, VIPER Internationales Festival Für Film Video und Neue Medien, Basel, Switzerland
2002    Honorary Mention- net excellence, Prix Ars Electronica 2002, Linz, Austria
2002    B(if)tek W.I.N.K. Award finalist, 2002 Nextwave Festival, Melbourne, Australia
2000    Member of Golden Key National Honor Society
2000    Jules Strauss Scholarship Award For Photography, San Francisco State University, U.S.A.
2000    Award of Excellence, 20th Annual Student Photography Contest Photographer’s Forum Magazine
1999    Award of Excellence, 19th Annual Photography Contest, Photographer’s Forum Magazine
1998    Yefim Cherkis Memorial Photography Scholarship, City College of San Francisco, U.S.A.
1997    Yefim Cherkis Memorial Photography Scholarship, City College of San Francisco, U.S.A.

Selected Interviews / Reviews / Catalogues

[2016]
Hung, Kenneth Tin-Kin, “2016: The Year According to Kenneth Tin-Kin Hung”, Walker Art Center Blogs, Dec 2016
Tanik, Sebla and Ucvet, Izlem, “Kenneth Tin-Kin Hung”, Artkolik Magazine, Turkey, Nov 2016

[2012]
Strauss, Barbara, “Reporters without Borders yearbook 2012”, Germany, 2012

[2011]
Greene, Lane, “Fǎ Kè Yóu, River Crab”, The Economist, June 7th 2011
Langnese, Kolja, “Zensur in China: Die Sage vom Gras-Schlamm-Pferd,” Bluewin.ch/ Swisscom, Switzerland, June 24 2011
Lishka, Konrad, “Das Geheimnis der Maorilyn Maoroe,” Der Spiegel, Germany, June 20 2011
Schmitt, Amanda, “Glutton for Video Art at Ramis Barquet”, ARTCARDS.cc, U.S.A.. August 2 2011
Stagliano, Riccardo, “Fot Ti Ti censura cinese”, La Repubblica, Italy, July 13 2011

[2009]
Merriam, Michael, “Propaganda Remix Maestro Kenneth Tin-Kin Hung Spinning in Manhattan,” Looking Glass Magazine, U.S.A. July/ August 2009 (www.LookingGlassMagazine.com)

[2008]
Bosco, Roberto and Caldana, Stefano, ” Los artistas se apuntan a combatir la contaminación,” EL PAIS (newspaper), Spain, November 6, 2008 (www.elpais.es)
Coburn, Tyler, “No Holds Barred”, Rhizome.org, April 10 2008
Helfand, Glen, “Xbox Activism,” San Francisco Bay Guardian, San Francisco, October 2008
Johnson, Ken, “Art In Review,” New York Times, U.S.A., April 25 2008
Laster, Paul, “Because Washington Is Hollywood For Ugly People”, ArtKrush.com, Feb 6 2008
Lebowitz, Cathy, “Primary Colors,” Art In America, U.S.A., P. 133 June 2008
Lechner, Marie, “A Dada Sur Le Cirque Politique”, Libération, France, October 26 2008 (www.liberation.fr)
Laster, Paul, “28 Million People Are Pay Attention,” Art Asia Pacific, New York, U.S.A., p. 160-169 No. 60 Sept/Oct 2008
Saad, Rhonda and Schlegel, Amy Ingrid, “Empire and Its Discontents“, Tufts University Art Gallery, Medford, U.S.A., 2008
Shuster, Robert, “Kenneth Tin-Kin Hung: The Madcap Laughs”, The Village Voice, U.S.A. April 15 2008

[2007]
Smith, Roberta, “Not Your Parent’s MTV,” New York Times, U.S.A. June 2007
Smith, Roberta, “War Stories- Art,” New York Times, U.S.A. December 2007
Wolff, Rachael. “The Top Five Online Art Videos Of 2007”, New York Magazine, November 2007

[2006]
Greenaway, Lisa, “Kenneth Hung,” THE PROGRAM, Australia, August 2006 (www.theprogram.net.au)
Iten, Moses, “Kenneth Hung and Global Presidential Election,” Alchemy Radio, Melbourne, Australia, August 2006 (www.sbs.com.au/alchemy)
Langford, Rachael, “Pop Culture Goes Political,” The Courier-Mail, Brisbane, Australia, August 2006 (www.news.com.au/couriermail)
Poole, Sean, “Well Hung Pixel Art,” SkyNoise, Brisbane, Australia, August 2006 (www.SkyNoise.net)

[2005]
Alonso, Lluis, “La gran feria alemana muestra una industria recuperada y muy innovadora,” CiberP@is, EL PAIS, Spain, March 2005

[2004]
Cheng, DeWitt, “Moving Targets, Killer Shots”, ArtForReal.org, U.S.A., March 10, 2004 (www.artforreal.org)
Kalem, Stefanie, “What War’s Good For, Fuck the muckety-mucks in West Oakland,” East Bay Express, Oakland, U.S.A., June 23, 2004 (www.eastbayexpress.com)
Parker, Lauren, “Collective Visions: Communities And Collaborations Online,” INTERPLAY (V&A Museum publications), London, United Kingdom, 2004 (http://www.vam.ac.uk/)
Romero, Lucas & Beck, Victoria, “Kenneth Tin-Kin Hung, illustracion Portada CONTENT,” Pasajes Aqitectura y Critica, Madrid, Spain, 2004
Turner, Elisa, “Critic’s Pick,” The Miami Herald (newspaper), Miami, U.S.A., August 13, 2004 (www.miami.com)

[2003]
Bosco, Roberto and Caldana, Stefano, “El net.art también combate las actitudes belicistas,” EL PAIS (newspaper), Spain, March 27, 2003 (www.elpais.es)
Delgado, Lisa, “Home is where the art is,” RES magazine, U.S.A., vol. 6 no.2 March/ April 2003 (www.resmag.com)
Deseeris, Marco, “Scenari apocalittici nel sito di un ventisettenne di Hong-Kong,” DWEB La Repubblica delle Donne, Italy, 2003 (www.dweb.repubblica.it)
Graham, Fran, “Review Well Hung- Digital pop art that re-writes the formula,” The Leeds Guide (newspaper), Leeds, Umited Kingdom, October 2003
Mir, Saima, “Digital dynamite!” Telegraph & Argus (newspaper), Bradford, United Kingdom, September 2003 (www.thisisbradford.co.uk)
Patalong, Frank, “DIE STRASSE GEGEN GEORGE BUSH Webseiten statt Flugblätter,” SPIEGEL online (magazine), Germany, February 14, 2003 (www.spiegel.de)
Thomas, Rich, “Kenneth Tin-Kin Hung,” BPM issue 49 (magazine), Los Angeles, U.S.A., December 2003 (www.djmixed.com)

[2002]
Babin, Tom, “Pop culture the Internet forget,” FFWD Calgary’s News & Entertainment Weekly, Canada, July 2002 (www.ffwdweekly.com)
Balbio, Marcelo, “WEBDESIGN: O oposto do site (So~Site/ Ciencia e Techie columnist),” GLOBO (newspaper), Brazil, May 8 2002 (www.globo.com)
Barr-Watson, Pete, “Inspired, Educated and Entertained,” Cyber Arts 2002- International Compendium Prix Ars Electronica, Ars Electronica 2002, Linz: Hatje Cantz Verlag, ISBN 3-7757-1208-9, Austria, September 2002
Blue, Tim, “Tim Blue on 60X1.COM,” MotherNaturesPunk.com, San Francisco, U.S.A., October 2002
Bosco, Roberta and Caldana, Stefano, “2002 En El Mundo- Tambores de Guerra,”  Arte.red, Spain, 2002
Bouvier, Pierre, “Kenneth Tin-Kin Hung : détournement d’images,” Le Monde (newspaper), France, June 2002 (www.lemonde.fr)
Camara, Ortega Ada, “WebWaerkWorld:111111111111111111111111111111111111111111111111111111111111.com,” CULTUR.COM, Amsterdam, Netherland, June 2002
Chipchase, Jo, “Showcase Section,” CREATE ONLINE Magazine, United Kingdom, August 2002
De Guzman, René, catalog essay, “Bay Area Now 3,” Yerba Buena Center For The Arts, San Francisco, U.S.A., October 2002
Ferrigno, Giacomo, “Pop Trash / Pop Slash Globate,” ARTLAB N°5 (magazine), Milano, Italy, Autumn 2002 (www.artlab.it)
Gagnon, Adrienne, “Anxious Times,” SF Weekly (newspaper), San Francisco, U.S.A., December 4 2002 (www.sfweekly.com)
Hervy, Étienne, “Orient Extrême,” éTAPES:87 (magazine), Paris: Bloc notes publishing, France, August 2002 (www.creabook.com)
Jan Kraan, Geert, “Site-Seeing,” Net Professional No. 6 (magazine), Netherland, June 2002 (www.netprofessional.nl)
Lechner, Marie, “Les casse-tete du Chinois,” LIBERATION (newspaper), Paris, France, April 26 2002 (www.liberation.fr)
Ludovico, Alessandro, “60X1.com, net art come splash page,” NEURAL 19 (magazine), Italy, July 2002 (www.neural.it)
P, M. “Decouvrez L’univers surprenant du graphiste Kenneth Tin-Kin Hung”, BulBe magazine, France, September 2002 (www.bulbe.com)
Petit poisson du fleuve d’Heraclite, “Le monde est fou, voyez-vous…Kenneth Tin-Kin Hung lui, ne l’est peut-être pas tant que ça…,” Philosophy Warrior, France, June 2002
Pignatti, Lorenza, “Le Irresistibili Avventure Di MaoDonald’s,” DONNA (magazine of La Repubblica), Italy, October 12 2002 (www.repubblica.it)
Spalding, David, “Conversations with Bay Area Now 3 Artists- Kenneth Hung and Mike Ray,” ARTWEEK vol.33 Issue 10, U.S.A., December 2002 (www.artweek.com)
Tank Girl, “GRAFIM’S- TINKIN.COM,” SCORE #3 (magazine), Paris: TH8, France, June 2002 (www.scoremag.net)
Trifunovic, Jovana and Wlodkowski, Michal, “Netzkunst- Kunst im Netz,” U:net, Institut für Publizistik- und Kommunikationswissenschaft der Universität Wien, Vienna, Austria, 2002
Waterfall, Simon, “Simon Waterfall, creative director of new media agency POKE, reveals his inspirations,” CREATIVE REVIEW, United Kingdom, June 2002 (www.mad.co.uk/cr/)
Author Unknown, “??? ?????,” ?? ?????! no.36 (magazine), Russia, July 2002 (www.nsgsm.ru)
Author Unknown, “Zarbis- Very Best Of Net- Des 0 et des 1,” Nova magazine/ Nova Net, Paris, France, August 2002 (www.NovaPlanet.com)
Author Unknown, “http://www.111111111111111111111111111111111111111111111111111111111111.com,” Arena Magazine, United Kingdom, October 2002
Author Unknown, “Site of the Week,” Friends of ED, friendsofED.com, June 2002 (www.friendsofed.com)
Author Unknown, “WWW.111111111111111111111 (? ??? ?????).COM ???????? ?????????? ?? ???? ????? ??????????,” Vokrug News, May 2002, Russia (www.vokruginfo.ru)
Author Unknown, “Vous Aussi, CombattezLe Terrorisme!” Flutuate (on-line magazine), Paris, France, November 2002 (www.fluctuat.net)
Author Unknown, “Aujourd’hui- Insolite du jour,” Interneto, France, August 2002 (www.interneto.fr)
Author Unknown, “Mars Bars and other forms of digital eyecandy,” FM4.ORF.at (radio station), Austria, September 2002 (ORF.at)
Author Unknown, “60X1,” DigitalCraft.org, mak.frankfurt, Germany, May 2002

[2001]
Author Unknown, “HUNG UP,” digyorkshire, United Kingdom, October 2001 (www.digyorkshire.com)

[2000]
Lee, Nicole, “Open House,” Golden Gate [X]press (newspaper), San Francisco, U.S.A., June 2000

Panels / Lectures / Discussions

2023    Online Artist Lecture, California State Polytechnic University-Pomona, Pomona, U.S.A. (invited by Jeff Ray)
2016    “Creative Time Summit DC: Occupy the Future”, Lincoln Theatre, Washington D.C., U.S.A. (invited by Nato Thompson and Sally Szwed)
2015    Online Artist Lecture, Deakin University, Melbourne, Australia (invited by Alison Bennett)
2012    Visiting Artist Lecture, Bucknell University, Pennsylvania, U.S.A. (invited by Richard Reinhart)
2012    Visiting Artist Lecture, Hunter College, New York, U.S.A. (invited by Ricardo Miranda Zuniga)
2011    Online Artist Lecture, Rutgers University, New Jersey, U.S.A. (invited by Elizabeth Demaray)
2010    Online Artist Lecture, Rutgers University, New Jersey, U.S.A. (invited by Elizabeth Demaray)
2010    “RE/Mixed Media Festival 2010”, Galapagos Art Space, New York, U.S.A.
2009    “Flaherty NYC Experiments in Animation”, Anthology Film Archives, New York, United States
2009    “New Forms of Storytelling”, Tribeca Film Institute at The New School, New York, U.S.A.
2009    “Beyond the Reel: Explorations in Media”, Apple SOHO Store NYC, Tribeca Film Festival
2009    Visiting Artist Lecture, Ecole des Beaux Arts d’Annecy, Annecy, France
2008    Visiting Artist Lecture, University of California Berkeley, Berkeley, U.S.A.
2008    Panel Discussion, Tufts University, Medford, U.S.A.
2008    Visiting Artist Lecture and Panel Discussion, Florida Atlantic University, Boca Raton, U.S.A.
2008    Panel Discussion, “Montage: Unmonumental Online “, New Museum, New York, U.S.A. (curated by Lauren Cornell and Marisa Olson)
2006    Visiting Artist Discussion and Workshop, SOOB (Straight Out Of Briasbane Festival), Brisbane, Australia
2004    Visiting Artist Lecture, San Francisco Art Institute, San Francisco, U.S.A. (invited by Richard Rinehart)
2004    Visiting Artist Lecture, “Packet Series”, New Langton Arts, San Francisco, U.S.A. (curated by Richard Rinehart)
2003    Visiting Artist Lecture, University Of Bradford, Bradford, United Kingdom
2003    Visiting Artist Lecture, FABRIC- Forum for the Arts in Bradford- Regeneration, Inclusion and Creativity, Bradford, United Kingdom
2003    Panel Discussion, C.S.O.A. COX 18, Milano, Italy

Collections

2011    David Howe, New York, U.S.A.
2008    21c Museum, Kentucky, U.S.A.
2008    Blanton museum of Art, Texas, U.S.A.
2007    Marvin and Elayne Mordes, Florida, U.S.A.
2007    Guy Bärtschi, Switzerland
2002    “Collection webdesign”- DigitalCraft.org, mak.frankfurt (Museum of Applied Arts Frankfurt), Frankfurt, Germany

Published Materials
2003    WORLDWIDE DESIGNERS 2007, L’Edition Populaire, France
2002    “Yummy Dragon comic issue no. 1”, comic book, Hong Kong
2001    “Badminton”, experimental sound project (CD), published by 1000pieces, U.S.A.
2000    “Yummy Dragon”, comic boxset, ISBN 962-85941-5-X, Hong Kong
2000    “Syndrome”, a Mixed Media photographic work, 2000 Summer issue of Cockroach, igcool.com, Inc., Hong Kong
2000    Best of College Photography 2000, Serbin Communications, Inc., U.S.A.
2000    “eugolaiD cinerhpozihcS”, experimental sound project (CD), published by 1000pieces, U.S.A.
1999    “Anomalous Tumult initialed on March 18th 1999”, illustration, 1999 winter issue of Cockroach, igcool.com, Inc, ISBN 962-8118-06-4, Hong Kong
1999    Best of Photography Annual 1999, Serbin Communications, Inc., U.S.A.
1999    “Family Murder”, 1999 spring issue of Cockroach, CRP publication, ISBN 962-8473-11-5, Hong Kong
1998    “Pumpmehard”, illustration, Cockroach, CRP publication, ISBN 962-8437- 09-3, Hong Kong

Related Activities
2005    Founder of Warehouse 1310 gallery, San Francisco, U.S.A.