Bettie Page dies at 85; pinup queen played a key role in the sexual revolution of the 1960s and later became a cult figure
By Louis Sahagun
December 12, 2008
Bettie Page, the brunet pinup queen with a shoulder-length pageboy hairdo and kitschy bangs whose saucy photos helped usher in the sexual revolution of the 1960s, has died. She was 85.
Page, whose later life was marked by depression, violent mood swings and several years in a state mental institution, died Thursday night at Kindred Hospital in Los Angeles, where she had been on life support since suffering a heart attack Dec. 2, according to her agent, Mark Roesler.
A cult figure, Page was most famous for the estimated 20,000 4-by-5-inch black-and-white glossy photographs taken by amateur shutterbugs from 1949 to 1957. The photos showed her in high heels and bikinis or negligees, bondage apparel — or nothing at all.
Decades later, those images inspired biographies, comic books, fan clubs, websites, commercial products — Bettie Page playing cards, dress-up magnet sets, action figures, Zippo lighters, shot glasses — and, in 2005, a film about her life and times, “The Notorious Bettie Page.”
Then there are the idealized portraits of her naughty personas — Nurse Bettie, Jungle Bettie, Voodoo Bettie, Banned in Boston Bettie, Maid Bettie, Crackers in Bed Bettie — memorialized by such artists as Olivia de Berardinis.
“I’ll always paint Bettie Page,” De Berardinis said Thursday night . “But truth be told, it took me years to understand what I was looking at in the old photographs of her. Now I get it. There was a passion play unfolding in her mind. What some see as a bad-girl image was in fact a certain sensual freedom and play-acting – it was part of the fun of being a woman.”
“The origins of what captures the imagination and creates a particular celebrity are sometimes difficult to define,” Playboy magazine founder Hugh Hefner said Thursday night. “Bettie Page was one of Playboy magazine’s early Playmates, and she became an iconic figure, influencing notions of beauty and fashion. Then she disappeared. . . . Many years later, Bettie resurfaced and we became friends. Her passing is very sad.”
In an interview 2 1/2 years ago, Hefner described Page’s appeal as “a combination of wholesome innocence and fetish-oriented poses that is at once retro and very modern.”
According to her agents at CMG Worldwide, Page’s official website, www.BettiePage.com, has received about 600 million hits over the last five years.
“Bettie Page captured the imagination of a generation of men and women with her free spirit and unabashed sensuality,” said Roesler, chairman of the Indianapolis-based CMG Worldwide, who was at Page’s side when she died. “She was a dear friend and a special client and one of the most beautiful and influential women of the 20th century.”
A religious woman in her later life, Page was mystified by her influence on modern popular culture. “I have no idea why I’m the only model who has had so much fame so long after quitting work,” she said in an interview with The Times in 2006.
She had one request for that interview: that her face not be photographed.
“I want to be remembered,” she said, “as I was when I was young and in my golden times. . . . I want to be remembered as the woman who changed people’s perspectives concerning nudity in its natural form.”
Bettie Mae Page was born April 22, 1923, in Nashville. She was the oldest girl among Roy and Edna Page’s six children. Her father, an auto mechanic, “molested all three of his daughters,” Page said in the interview.
Her parents divorced in 1933, but life didn’t get any easier for Bettie.
“All I ever wanted was a mother who paid attention to me,” Page recalled. “She didn’t want girls. She thought we were trouble. When I started menstruating at 13, I thought I was dying because she never taught me anything about that.”
After high school, Page earned a teaching credential. But her career in the classroom was short-lived. “I couldn’t control my students, especially the boys,” she said.
She tried secretarial work and marriage. But by 1948 she had divorced a violent husband and fled to New York City, where she enrolled in acting classes. She was noticed on the beach at Coney Island by New York police officer and amateur photographer Jerry Tibbs, who introduced her to camera clubs.
Page quickly became a sought-after model, attracting the attention of Irving Klaw and his sister, Paula, who operated a mail-order business specializing in cheesecake and bondage poses.
Under contract with the Klaws, Page was photographed prancing around with a whip, spanking other women, even being hog-tied. She also appeared in 8-millimeter “loops” and feature-length peekaboo films with titles like “Betty Page in High Heels.”
“I had lost my ambition and desire to succeed and better myself; I was adrift,” Page recalled. “But I could make more money in a few hours modeling than I could earn in a week as a secretary.”
Her most professional photographs were taken in 1955 by fashion photographer Bunny Yeager. They included shots of Page nude and frolicking in waves and deep-sea fishing, and a January 1955 Playboy centerfold of her winking under a Santa Claus cap.
At 35, Page walked away from it all. She quit modeling and moved to Florida, where she married a much younger man whose passions, she later learned, were watching television and eating hamburgers.
Page fled from her home in tears after a dispute on New Year’s Eve in 1959. Down the street, she noticed a white neon sign over a little white church with its door open.
After quietly taking a seat in the back, she had a born-again experience. Page immersed herself in Bible studies and served as a counselor for the Billy Graham Crusade.
In 1967, she married for a third time. After that marriage ended in divorce 11 years later, Page plunged into a depression marked by violent mood swings. She argued with her landlady and attacked her with a knife. A judge found her innocent by reason of insanity but sentenced her to 10 years in a California mental institution.
She was released in 1992 from Patton State Hospital in San Bernardino County to find that she had unwittingly become a pop-culture icon. A movie titled “The Rocketeer” and the comic book that inspired it contained a Bettie-esque character, triggering a revival, among women as well as men, that continues unabated.
With the help of admirers including Hefner, Page finally began receiving a respectable income for her work.
In an interview published in Playboy magazine in 2007, Page expressed mixed feelings about her achievements. “When I turned my life over to the lord Jesus I was ashamed of having posed in the nude,” she said. “But now, most of the money I’ve got is because I posed in the nude. So I’m not ashamed of it now. But I still don’t understand it.”
She spent most of her final years in a one-bedroom apartment, reading the Bible, listening to Christian and country tunes, watching westerns on television, catching up on diet and exercise regimens or sometimes perusing secondhand clothing stores.
Occasionally, however, Page was persuaded to visit the Sunset Boulevard penthouse offices of her agents at CMG Worldwide to autograph pinups of herself in the post-World War II years of her prime. The agency controls her image and those of Marilyn Monroe and Princess Diana, among others.
During one such event in early 2006, Page needed about 10 minutes to get through the 10 letters of her name. As she pushed her pen over a portrait of her in a negligee with an ecstatic smile, she laughed and said, “My land! Is that supposed to be me? I was never that pretty.”
She is survived by her brother Jack Page of Nashville and sister Joyce Wallace of Blairsville, Ga.
Visit here for a vast archive of her pictures.
Our deepest condolences to the family and friends left behind by Bettie Page. She will surely be missed by everyone.
Where did you find the image of Betty with the leopards? It is stunningly beautiful.
She will be truly missed….
La culità naturale, l’indice del pondus, l’effetto-heimlich del Body Page
Oltre al Punctum-Page , c’è in Bettie Mae Page un altro punctum che, in questa operazione di 20.000 pose , stimola il visionatore: è il Bottompunctum-Page, il noumeno speculare del fallo implosivo, la culità naturale.
La culità naturale è sempre nell’ordine del paradigma sentimentale e morfologicamente è tutta evidenziata da quel 36 pollici e mezzo degli Hips che costituisce la dimensione somatica del suo esserci e del suo fascino.
L’indice del Pondus è pari a 13.88, un valore alto di secondo grado essendo la scala decrescente del tasso alto estesa da 12 a 20.
L’indice costituzionale, per il 36½ degli Hips, è 56.15; l’indice costituzionale, per i 36” del Bust, è 55.38: per un valore medio di 55.765 che definisce scientificamente,o sistematicamente,la morfologia mesomorfa perfetta di compattezza al massimo grado, essendo per una normolinea l’indice costituzionale compreso tra 53 e 56.
Questo indice del Pondus e questo indice costituzionale formano antropometricamente il Significante Somatico di Betty Page: quello che è il Punctum-Page, da una parte, e quello che è il Bottompunctum-Page,dall’altra, sono in questa relazione speculare tra qualcosa che è, per il paradigma sentimentale, recondito, segno segreto, sottinteso, adombrato, e qualcos’altro che è, per il paradigma primario,invece,visibile,solare, segno manifesto, naturale, irrefutabile dato somatico.
Per questa relazione asimmetrica, il Bottompunctum-Page si fa più evidente, acquista risalto: questo svelamento rende,a sua volta,apodittico ciò che è nascosto nel paradigma sentimentale, cioè la culità naturale riflettendosi nell’ intensità affettiva la rende palpabile, flagrante, assodata.
Così accentato, il podice di Betty Page riflette tutti i capitoli del paradigma sentimentale: è paradigma della “meditazione impulsiva”, della “riflessione eccitabile”, della “violenza esitante”, dell’”impulsività prolungata”, della “melanconica sensazione”, della “vibrazione eccessiva”, dello “slancio sfrenato”, dell’ “emozione esorbitante”. Perché l’inaccessibile è indiscutibile, il riservato è autentico, l’indiscrezione è esatta, l’inconfessabile è sicuro.
C’è una versatilità naturale nel culo di Betty Page: ci sono delle foto in cui è davvero eccezionale per questa naturalezza, sembra che esprima in pieno la “culità”, quella faccia, quel porsi, quell’esporsi sarebbero niente senza questa “culità”, che ha, nello stesso tempo,la sostanza e la pesantezza del sentimento e la vivacità e il vigore del senso: attivo e vitale si fa il sentimento, ponderoso e opulento si fa il senso.
da: V.S.Gaudio, BODY PAGE, copyright 2003